the sunday lit

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"maybe this should be one more bucket list item—stop obsessing about perfect to-do lists. start being a little more flexible."

    This is a sweet read, which is mostly very innocent and reads like a PG Hallmark Christmas movie. I would say it's more aimed at pre-teens, and is a very gentle tale about a girl coming out of her shell and finding her feet outside the safety of her books. I was fooled by the cover, but the family dynamics here were far more interesting than the romantic drama.

    Sisters Tess and Lauren go to their grandmother's ski lodge in Vermont for the holidays while their parents work out their divorce. Tess, to me, was pretty unlikable. She is a type A introvert, but she's also very self-involved and gets annoying pretty quickly. I could chalk it up to her being a teenager, but as I get older some of these thing really annoy me.

    When I first started this novel I was in love. It pulled me in immediately, I loved the feeling it gave me while I was devouring the pages. I also really liked the festive vibes of the hotel, and I actually finished it on New Year’s Eve.

    However, as the story progressed, it took a different turn and if I'm completely honest, it bored me with its predictability. The plot is: the love interest, Christopher, is stuck inside with a cast and is trying to help Tess come out of her shell by writing a check-list of bold new things she could try by NYE. This is a fun idea and interesting in places, but makes the book read like a checklist of cliché tropes: there’s the love-triangle, here’s the break-up chapter, and finally there’s the make-up scene.

    I think the love interest was mediocre. They got together pretty quickly in the beginning which for me doesn’t build a lot of tension between the characters and feels a little bland. Also, by the end, even though I understood his reasoning later on, the male love interest was kind of a jerk? I mean, everyone here seems to be a jerk.

    I should have guessed from the beginning how immature Tess was by her interaction with her sister, but I chalked it up to her sister just being mean. Christopher encourages her to try new things and goes out of his way to help. And yet the one thing he asks her to believe him about, she doubts all because the guy flirts with her? The guy in question purposely physically harmed Christopher but because he's all charm and niceness to Tess, she refuses to believe it. Joke’s on her.

    The plot at times can be a bit dramatic and when it comes to that it is always a hit or miss. Here, it just made the book less desirable to read but since it’s a short one I just pushed on. I did like the first half much more than the last half though, as it mostly sets up this cozy atmosphere.

    It was an acceptable story, but I didn't like how romance pulled all the focus and the bigger problems were hidden under the carpet, instead of explored. The family dynamics and relationships were not resolved to my satisfaction.

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 "i like to think i would have come to the decision on my own. that i'd been bold enough, determined enough, to not need a push. but truth be told i did need the push. and it came in the form of three letters."

    Ellie, the main character, is going through a crisis: losing her job, her relationship and her home just before Christmas. As an archivist, she is used to order, but her life has become chaos. After moving in with her brother and his daughter, she receives a mysterious  job offer on an isolated Scottish island, which seems like a chance to escape from her problems and find herself.

    This new job includes translating and archiving letters to Santa, in an office set within the caves on this island. I loved finding out what the letters said and found many of them rather touching. Ellie though, finds it very hard to do this job without getting emotionally involved and wanting to act upon some of the requests – which is a big no-no and causes some strife. I was a bit muddled on would  what actually happened to the letters that made the shortlist, or rather what happened for the writers. It felt like that part was sort of skipped over. (Or did I miss it?) Perhaps that’s just part of the magic of the island and remains a mystery.

    While on the island, Ellie lives with her employers. Clementine, an eccentric baker, who is so exuberant and downright jolly, adds warmth and lightness, her baked goods literally coming to life on the pages. Her twin brother, Cole, could not have been more different – he is reserved and serious, sometimes too serious and a stickler for the rules. Clem became a real friend to Ellie, but she also gradually warmed to Cole, as he did to her. The romance was nice, though I didn’t buy it completely and could have honestly been fine even without its inclusion. The old uncle Joe was such a character as well, as was Cole's son Alex, and the way the other archivist, Aiden, settled into life there was realistic – as he slowly acclimatized to a slower, more isolated life (though he could definitely never live off the grid permanently).

    What is wonderful in this novel is the Christmas atmosphere. Although the events cover a whole year, the feeling of celebration and coziness oozes off every page. The magic of the book is in the details, creating the perfect winter story for those looking for a light and atmospheric read, which adds to the season, but is not overly cliched Christmas themed read (though they are fun when you’re in the mood). There was some family drama, that wasn't too deep, but did add substance to the story.
    
The charming cover, the atmosphere of the Scottish island and the magic of the details make it a good choice for a cozy evening. However, the lack of dynamism and predictability leave the story feeling like something essential is missing. It felt like reading a magical middle grade for grownups. There wasn’t much depth to the world, aside from the atmosphere I keep praising.

    Part romance, part life change, part magical realism. It’s a book where I wasn’t sure if the elements would pull together, but I’m so glad I gave it a chance. Because it really worked.
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 "i want to live small and happy, i want to leave only the tiniest footprint on the world. why isn't that something to aspire to? my life goal is to feel contentment; to me that's the only thing worth striving for."


a
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 "i would do a hundred things differently if i could go back and change the past, but not if it meant you ended up resenting me."

    This is a story of two romance writers. Five years ago, at Jess’s favorite holiday – Christmas, of course, Nick broke up with her for unknown reasons. His career then takes off, turning him into an NY Times Bestseller author who gives life to unhappy endings, while Jess is struggling.

    Jessica Carrington is working in a coffee shop to make ends meet and trying to move on with her life. When her agent forces her to give the Romance Author of the Year award to her ex, Nick, she thinks the universe must be pulling a joke on her. I mean, can his books even be categorized as romance if they all end with no happily-ever-after in sight? But, the SVP organization will cover her hotel room for the night and give her an opportunity for some exposure by showing how good of a team player she is. She has no desire to reunite with the man who broke her heart and deliver him this award that marks how his career has skyrocketed, while she is stuck in writer’s block, but sacrifices have to be made.

    Nick Matthews is a fan favorite romance writer, whose books always seem to have tragic endings. But, he is also struggling with writer’s block, resents his decision to let Jess get away and still has deep feelings for her. Interestingly, the moment he starts DMing her through social media regarding the awards ceremony, the idea of a second chance novel plot appears in his mind – the same thing happens to Jess who is inspired by their argumentative banter as well.

    But just when they think they’ve gotten that whole reunion thing out of the way, a freak snowstorm strands the whole hotel, and Jess, whose reservation has gone missing, has nowhere to stay as the hotel is fully booked. Thankfully, Nick has a room and he’s ready to share it with Jess. What harm can it do, even though there’s only one bed in the room? They will spend only one night together, then be on their separate ways. They can be civil: no need to fight or tear each other’s clothes off, right?

    While they might've believed that they'd moved on, the forced proximity and sharp moments of angst ratcheted up the tension, while their shared love of romance novels brought some tender moments. They find themselves in another career-related situation that pushes them to bury the hatchet and fix their problems from their shared heart-wrenching past. Now writing a shared novel, inspired by their personal situation, Jess and Nick trade quips and barbs and a Word document. The banter made this fun and playful, even in its heavier moments, and I found it exceedingly easy to binge. But will the peace lasts when the reason for Nick leaving all those years ago is revealed?

    I loved that Nick was clearly still in love with Jess, though I hated that they'd kept those feelings alive while moving on with other people. The reason for their breakup is not revealed to the reader until late in the story, so I was more accepting of their miscommunication than I probably would've been in a different situation. I felt bad for them both, and it was obvious how good they were together. We get a few flashbacks that showcase some of their best moments, and the contrast between past and present was very clear.
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 "in order to keep living, you need to move on."

    Following Hannah, Finn, Priya, and Theo over a span of years, The Christmas Orphans Club is about four best friends who don't have family to spend Christmas with, so they spend it with each other. After a tumultuous few years, Hannah finally feels settled with her friendships until Finn drops a bomb: he's moving to LA. Now Hannah feels the need to make this Christmas better than ever, but there's still some cracks in her personal life that are starting to grow larger. This book is a love letter to friendship, to New York, and to growing up.

    The premise is that Hannah and Finn became college friends over one Christmas they spent together on campus because, for different reasons, they weren't with family that day. Hannah is an actual orphan, with a sister who is not interested in having a relationship, and Finn was disowned by his parents when he came out. Thus, after that holiday in sophomore year, began a holiday tradition. Along the way, these Christmas orphans added two more members to their club - Theo, the forgotten son of a billionaire, and Priya, a fashionista from India who isn’t used to celebrating the holiday.

    It's mostly about friendship and found family, but it's also a very layered story that's also about love (including LGBTQIA+ romance), biological family drama, and growing up. Hannah is terrified of losing the family she's built for herself, even as her seemingly perfect boyfriend nudges her toward commitment. Meanwhile, Finn struggles with the things he's about to leave behind--namely, his unexpressed feelings for Theo. They all need to take stock of their lives and grow up, but who says they can’t have some fun while doing it?

    Something that did not work for me in this novel was Priya. Her character was underdeveloped and one-dimensional, and she came off completely unlikable. I kept wondering throughout the book why Hannah, Finn, and Theo were even friends with her because she didn’t seem to enjoy the holidays, or even their group, as much as they did. Her sarcasm and negative attitude grated my nerves, and I kept wishing that the Orphans Club would just kick her to the curb.

    Christmas is a hard time for a lot of people, and I love that this book celebrated the season while also acknowledging the complicated feelings many of those celebrants may have. It’s very much a modern, non-traditional Christmas story and I think even those that aren’t seasonal book readers will eat this right up!

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"she never, ever wanted to seem like she needed attention, extra care. she’d spent her childhood trying to ignore the drama of the family that surrounded her, and maintained her status as the most low-maintenance friend to everyone she knew."

    Charlotte hates Christmas. This is partially because her parents didn't make good memories during the holiday and in part because of her brief stint as an actress.

    She is a successful illustrator, but also a former child actress and there's no escaping the one film she starred in: Christmas, Truly, a Love Actually-type holiday movie. When a news article reveals that she is refusing to appear in a reboot, and the fans are out for blood, she flees to London to spend an extended holiday season with her sister and her family. As you can imagine, she's not pleased when she winds up on a family excursion to the stately home where the movie was filmed.

    But that's where she meets Graham, whose famous ancestor owned the home and who is trying to figure out a way to keep it going. Graham hires Charlotte to paint Christmas movie themed estates for them to sell in the house as souvenirs. In order to draws them, she needs to actually see these house, o naturally Graham steps up to the task. They spend a lot of time together and something seems to be sparking along the way and maybe Charlotte might stop hating Christmas due to it.

    It is worth noting that Charlotte’s parents who have always worked in the entertainment industry and have a volatile relationship, don’t understand her choices. It is inconceivable to them that she would not want to act, and her career seems so insignificant to them. The way they raised her left her pretty jaded on both the romance and the holiday front.

    The London setting and all the seasonal details were delightful and the banter was fun! I also appreciated the unique storyline. This is a cute romance with real adult characters. I thought the couple lacked chemistry, but on the other hand, they were mature, kind, and had fun together, which are actually better foundations for a long term relationship anyway. I was also pleasantly surprised that both leads were childfree and categorically did not want any children. These kinds of romances usually end with a marriage and a gaggle of kids, which I tolerate because – well, you do you. But it is refreshing to see something different.
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"i believe now that the universe delivers random acts of kindness, and it’s on us to decide what to do with them."
 
   Our main character, Mae, has been in love with the son of family friends for years and finally gets a chance to see what would happen if she took a risk that the universe has granted during some Groundhog Day type shenanigans. This all takes place in a cozy holiday cabin featuring holiday traditions. Nothing memorable but a cute, easy read for the holidays.

    This started off so well. I loved the tongue in cheek Groundhog day scenarios, with Mae becoming increasingly demented with each repeating day. Although obviously repetitive, I thought it was clever how the plot was intertwined with the past and the present. I also really liked Mae's relationship with eccentric Uncle Benny. He's the stereotypical hippy laid back family friend who is Mae's closest friend and ally. He knows all her secrets, from her unrequited 13 year crush on Andrew to her unlikely time jump dilemma. He takes it all in his stride, supporting Mae every step of the way.

    But the time loop thing went away once the plot was on track, not to be mentioned again. It was a cool idea and one I thought would be a central focus throughout the book. The synopsis advertises this as a Groundhog Day narrative, but there was definitely not enough time-loop going on. I really would have wanted Mae to jump back one or two more times in situations where it got really juicy. It would have definitely given the book an edge it is missing this way. She only went back into the past like 2-3 times and I don’t feel like they made clear as to why she didn’t go back after that. Also, I have a bone to pick with Mae because she seemed to accept all those time-resettings quite readily, not bothering to try and find an explanation to what was happening to her (something so life-altering happens and your biggest worry is hooking up with a guy?)  

    I did not care that much about the characters, I wanted to see where the story is going but I knew it was the kind of story that I will forget as soon as I finish it. Mae and Andrew felt like YA characters ( they were both in their late twenties; however, I felt like I was reading about some  14 years old with the way they acted). I think there was telling rather than showing, especially when the characters were introduced via Mae and it felt very forced. I love the family dynamic of the story and all the characters that have come together to be such a lovable and close unit. But, near the beginning, we get Andrew literally go on for multiple pages explaining who each of the characters is, their relationship to each other, and basic descriptors of their lives, all in a long string of dialogue. It felt pretty forced, exposition wise.

    The romance part was a bit underwhelming. I was never completely sold on Andrew and Mae. It never really feels genuine for some reason .The story didn't give away enough background. We're told they’ve been secretly in love with each other for years, but we're not told why, what lead them to fall in love, how they discovered it, especially on Andrew's part. Their families only ever get together for Christmas and Fourth of July weekend, so when exactly did they fall in love? Where is the undeniable chemistry between the two? Where is the proof that the two of them have been secretly in love, other than being told that they are? Especially from Andrew's part, where are the signs that he's ever had any feelings for Mae? After so many years crushing on him, it felt she had it too easy, her kissing Theo in another timeline being the only hurdle she had to overcome. (I was actually convinced she was going to come to the conclusion her crush on Andrew was childish and she’d realize Theo was the one (she even kissed him) – I’d hoped it was on of those stories and I believe it would’ve been better that way.) Also, Andrew was such a douchebag when she told him about her feelings, it seemed so out of character with his previous laissez-faire attitude.

    All in all, it’s not a terrible book. It was a quick and easy holiday read, but it left me unsatisfied – it felt like it wanted to say something but gout muddled half-way through. Maybe the writing duo had different ideas on how it would all turn out, but then they threw the dice and chose just one ending – without revising the beginning of the book, so the couple that ends up together doesn’t really have a leg to stand on.
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 "the lies we tell ourselves are often stronger than the truth."

    For those readers who read the second installment “The Cinnamon Bun Bookstore”, we met Kira at the end, when she comes into town to take possession of her property and makes it clear to everyone that she will not be selling Christmas trees.

    Kira, a transplant from Georgia, who has never lived on her own or run a business, bought an abandoned Christmas tree farm, with its run-down and dilapidate house. She is grieving the loss of her best friend and sister – who got married and moved to Denmark with her husband! Yes, our protagonist is a bit immature and self-absorbed to begin with (and is a bit of a recluse), but she comes to her senses pretty quickly and realizes that the inheritance money that she used to buy the farm and house is not going to last long if she doesn’t find an income source. So, she quits her whining and wallowing and she does what she needs to do to get the tree farm up and running.

    Bennett, who is in town visiting his sister Jeanie (from “The Pumpkin Spice Cafe”), is staying in her apartment above the cafe as she moved in with Logan. Bennett is a “tech bro” from California who has a terrible record with the women he dates. He is the proverbial “too nice guy” who women always seem to take advantage of. He has vowed that he is going to stop being so nice and letting women walk all over him. However, old habits are hard to break, and Bennett can’t stop himself from offering to help Kira with stuff around the farm. This wouldn’t be a Dream Harbor story without the smoking hot chemistry and insta-love.

    The two come together to open and improve the Christmas tree farm and open it to customers in time for the holiday season. Kira opens up to the new community she has found and slowly grows out of her spoiled ways, as Bennett wrestles with what he wants. Is his desire to stay with her genuine or another reappearance of his people-pleasing tendencies? And will Kira let him uproot his life for her?
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"you challenged me as if you were a nightmare on a new moon, and i knew then that you were the one i wanted beside me."
 
    This is a dark, captivating, mysterious and magical tale - and of course you can expect the gorgeous and lyrical prose that I fell in love with in the previous books I’ve read by this author: ‘Divine Rivals’ and ‘Ruthless Vows’.

    Clementine Madigan is her father's apprentice, and he is magician in Hereswith, a small town within the realm of Azenor. A curse has plagued the realm for many years, wherein the magic flows from the nearby mountain and brings nightmares to life. Only magicians, serving as territory wardens, stand between their people and the mountain’s curse. Clem and her father go from house to house when someone has had a nightmare; they record it in the Book of Nightmares which the warden of each territory holds. Each new moon, one of these nightmares come to life and since they’ve recorded them all during the month, they are able to be prepared to fight whatever monsters, demons or evil creatures that manifest.

    But then one new moon, two magicians, Phelan and Lennox, show up to challenge her father for the position, she finds herself feeling bereft of home and purpose when they win. Her father and her, along with beloved Imonie, have to move, and they go to a big city where her mother lives, ad she takes them in. Determined to get revenge, Clem disguises herself with a magical glamor and sets out to work alongside Phelan who, in her opinion, stole her home, hell bent on destroying him and his family, and taking back what is rightfully hers.

    Unlike Lennox, Phelan Vesper is quiet, intelligent and bookish. Her is kind to his housekeeper and her grandson, and seems like a really good person – which cannot be true, right?  Watching his character unravel and become more than what we saw at the beginning made for a great story. He has his own motivations, and though he also has familial loyalty, in the end he makes his decisions for himself. He doesn’t want to be under the thumb of either his mother or the Duke anymore. We discover that where familial bonds are Clem's strength, they are Phelan's chains. He can be pompous and impolite and selfish, but at the core he is a good person, which annoys Clem.

    The longer these two work together the more secrets are revealed about the mountains curse... if she hopes to succeed to break this curse she will have to unite and work with her rival. Their story is so well told, it is a slow, slow burn but it’s constantly simmering in the background and the tension can be felt through the pages. Clem and Phelan naturally became closer working together and it was such a gradual shift, you barely felt it until it was right in your face. And though Clem has assumed the false identity of Anna, there is still a deep understanding between them, as she could not have possible hidden away all of herself.

    Another layer here is the broken family – the Madigans’ secrets start pouring out and the source of the curse is revealed. It was shocking but so, so well done – I absolutely loved the pacing of this book and the way the information is revealed piece by piece until it all clicks into place. The segment on the castle on the mountain was filled with such tension, but it also showed just how much Phelan loved Clem and the information revealed made complete sense, when looking back at characters' actions.

    What I love was that even though this starts as a book about revenge, it is a story that shows us that first impressions and anger can always be misplaced. I also really enjoyed that there was a mystery aspect to this book which will have you turning pages. The only complaint I have - I'd really love if there were more stories set in this richly drawn world to read.

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"the pages provide the most golden company when one feels the pestering tap of loneliness."

    Rewitched is a slow, cosy, magical witchy journey that follows Belladonna, who has recently turned thirty, where unbeknownst to her, she has to attend a trial that tests her worthiness of being a witch.

    Belladonna Blackthorn works at Lunar Books and dreams of running it one day. But she's got to get through today first. Her boss is a misogynist, and hiding the small fact that she is a witch gets harder by the day. Belle longs to tell her best friend Ariadne, but because she is mortal, she can't know a thing.

    Witches get their powers when they’re 15 and are pretty much left to their own devices after that, as is custom. Belle is almost 30 and, as witches are getting rarer and rarer, the only other witch in her life is her mom. Belle only uses her magic in small every day ways, definitely not honing her skills. But when the owner of Lunar Books is about to retire and asks her to buy the bookshop from her, Belle feels too insecure to do so.

    As she comes from a magical heritage, Belle has always appreciated her abilities, but didn't think she would necessarily have to prove herself to keep living her witchy magical life... until a handsome stranger shows up one day at Lunar Books with an envelope. Turns out Belle has one month to prepare herself for a series of trials presented to her by her coven and, based on her performance, a panel of judges will decide whether or not she gets to keep her magic. All of this, of course, will happen on the spookiest night of the year - Halloween.

    Realizing what this might mean, Belle is terrified as she realizes that losing her magic is a true possibility... and part of finding her magic will mean also require her to be vulnerable, brave, and to find herself, deep in a sea of insecurity. Although her magical powers may have taken a backstep in recent years, with the help of some people along the way, including a dashing coven Watchman named Rune, Belladonna is well on her way to finding herself again.

    And of course, I would be remiss if I didn't spend some time on Rune. He is so dreamy, a bit mysterious, slightly snarky but never obnoxious, a brave and loyal protector... And of course, he's wearing the perfect outfit for his character, has the requisite long hair... I love how stoic he is, how aloof he sems, though he is anything but,

    This cozy, witchy novel has all of the fall and Halloween vibes I was hoping for when picking it up. I loved the romantic subplot and really enjoyed Belle's character development as she wrestles with feeling confident in her own skin. Although this book had a bit of a slower pace, I absolutely loved every minute of it!
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 "something in my chest melted and pooled like candle wax. they were the loveliest words anyone had ever spoken to me. i will not abandon you."

    Salt & Broom is an imaginative and magical retelling of the 1847 classic Jane Eyre, with a fresh spin involving witches, fairies, and herbal healing. It is a delightful must-read for any fan.

    Jane Aire is a practicing witch and a teacher who imparts her knowledge of herbal lore and remedies to the young students at Lowood. Despite the harsh conditions of the school, Jane is mostly happy, although she dreads interactions with Mr. Brocklehurst, the superintendent of the school. She has been hired by Edward Rochester to rid Thornfield Hall of the shadow that looms over the estate causing unsettling feelings and unusual incidences for Rochester and his staff. Independent and headstrong, Jane initially clashes with the master of Thornfield; however, they become allies when it becomes clear the threat puts them in mortal danger.

    Jane arrives at Thornfield Hall and is swept up in several intriguing mysteries. First, she has to figure out how to fix whatever is happening at the estate, but in order to do that, she needs to get closer to the household staff and learn more about Antoinette’s death. There are also secrets buried behind the stern facade of Mr. Rochester, and Jane knows she must learn the truth if she’s to save Thornfield Hall. And perhaps the biggest mystery of all is Jane herself. Where did she come from? Who were her parents? And how is she tied to Thornfield Hall and the surrounding woods? Fisher has some surprising reveals in store for readers, and I guarantee you will have a fun time getting there.

    When Jane meets Mr. Edward Rochester, it’s not under the best circumstances. He becomes injured about a second after laying eyes on her, and Jane manages to immediately put her foot in her mouth. Still, she is determined to help him get rid of the curse that he appears to be dealing with. No sooner than Jane arrives, strange and frightening things begin happening. Jane and Edward must figure out how to work together in order to save themselves. No small feat for a young witch and a grumpy cynic. Along with a small and captivating cast of characters, a magical cat, and an old and darkly beautiful estate, we learn the secrets of the curse.

    The writer’s style is clever and snappy, and she stays true to the original characterization of the protagonists, just with a paranormal twist. There were continual winks to the original story while taking liberties to spin the tale into a paranormal story. I could tell the author put enormous research into the period and herbal plants. Another wonderful aspect was the banter shared between Jane and Mr. Rochester. Fisher has perfectly captured the essence of Jane Eyre with her gorgeous writing style and language, and I felt as if I had been dropped directly into the story. 

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 "i had only one ambition in my simply built life, and that was to be sure the farrow curse would end with me. it was as good a place as any to end a story. I wasn't the first farrow, but i would be the last."

a

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"some of us know better than to court dangerous things we don't understand."

    This book follows Daria “Dasha” Avramov and Ivy Thorn as they rekindle their romance and work together to save Thistle Grove from destruction. Readers were briefly introduced to the contentious dynamic between Dasha and Ivy when Deliliah enlists their help at the end. ‘Rise & Divine’ is also extremely heavy; there are strong themes of addiction, depression, grief and suicidal ideation.

    Dasha is a devil eater who can transcend the veil (a sort of dimension outside life). After losing both her parents, she becomes obsessed with visiting the other side to numb her pain. She becomes addicted to the feeling and requires intervention from her sister, stepmom and Elena Avramov. Dasha is in recovery like any other addict who has stopped using. This obsession is what ruins her relationship with Ivy, over which she berates herself heavily.

    Dasha was interesting but I just didn’t care about her relationship with Ivy. She is very concerned with getting Ivy back until she does, then her focus goes elsewhere. The reconciliation between them happens very quickly and doesn’t feel earned– it seems like they go from having extremely little to no contact with each other to a very steamy reunion.  I felt we were missing the critical foundation of their relationship. I didn’t feel as invested in them as a couple as I have to previous pairings. They also get physical quickly, partly because of extenuating circumstances, but still. I think their second chance romance had a lot of potential, but overall, it felt unfinished.

    However, I felt that the chemistry between Dasha and Chernobog was given more attention. I do understand that Dasha’s being attracted to him was a metaphor for suicidal ideation, but I was disappointed with how much it distracted from the central romance. It was a really interesting concept, but the characters (particularly the antagonist) aren't given enough room to breathe. It would've been nice to get additional interactions between the protagonist and antagonist, instead of extensive descriptions of every single character's physical appearance.

    Also, every single plot line was predictable, and infuriating. Maybe I’m just tired of young people hiding really important things from elders. It’s one thing if they are 13 year olds, but 28 year olds should know to seek the advice from elders when there is serious evil afoot. I desperately needed some reasonable adult choices. e.g., when an unknown type of magical threat appears - with warning, which the entire town ignores - and then another anomaly happens, don’t keep it to yourself instead of telling everyone that might help or need to know!

    I was also bored with endless pages of psychological blathering and analysis of childhoods and feelings and motivations.

    This was a terrible ending to a series, but the books had been going downhill for a while. It’s honestly just forgettable slop. I am so happy to be done with this universe and quite certainly with this writer. Just… so done.
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"she liked her bookstore. she liked cups of chamomile tea and rainy days and the Sunday morning crossword puzzle. she liked her quiet life."

    First off, based on the cover and the title, I expected a cozy fall read. But, that lovely tree with autumn leaves is very misleading , as the title was changed from 'The Bluebell Bookstore' and doesn't even take place in autumn but in summer. And I must admit, it immediately lost points because of this marketing gimmick.

    This installment of the Dream Harbor series focuses on two familiar characters - Hazel and Noah. Hazel works in the titular bookstore and is surrounded by amazing stories, books filled with love and adventure and life. But Hazel felt personally stuck and unfulfilled. When the realisation that she is turning 30 in 2 months coincides with finding little clues scattered in the bookstore where a certain page was annotated or dog eared on a romance novel, Hazel throws herself into a mystery of uncovering clues left for her in books.

    These little clues are like saying that she need some adventures in her straight laced, serious life. Hazel then recruit the help of Noah, the man who seems too gorgeous to be true and maybe or maybe not have hots on her, and who just so happens to be up for an adventure.

    Hazel is the classic quiet bookworm, while Noah is the guy who gets arounds and is a social butterfly—a total odd couple, but that just makes it even better when he falls for her first.

    This cozy late summer read is told from both their POVs. I loved Hazel and could definitely relate to her character, especially the age and the feeling of not having done anything. Noah was also a great addition to this storyline as she definitely needed someone to help her on her way to loosening up a bit. He was more than happy to help with the adventuring, but found himself also doing and feeling new things…

    I really liked how she was content where she was and ultimately learned that she didn’t need to change who she was in order for people to think she was fun! She was all along. I adored her. I liked how she felt like a real person with a real life. She had anxieties of her own and needed to get out of her shell and was hesitant at first but she was brave in the end.
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"liked the rain, myself. there was a cleansing and just slightly melancholy feel to it that dovetailed with how i felt."

    When desperate Delilah casts a dangerous blood spell to repair her memory, she accidentally becomes a beacon for malevolent creatures. An attractive stranger shows up to help her and Delilah feels she has no choice but to trust her as she defends herself and her town.

    The story opens with a disabled Delilah. Her memory keeps slipping because of an oblivion spell Nina performed in the previous book, and those first chapters were some good writing, powerfully capturing the confusion, overwhelm, grief, and anger of when your brain/body no longer works the way you want it to. Enter Cat, a half-fae warrior who saves Delilah and sticks around while they get to the bottom of this mayhem.

    I have to say, I hated both of the main characters. I can understand Delilah’s issues up to a certain point, but I did not like her at all and found he to be pathetic. She had few redeeming qualities and basically whined the whole book. I don't get why Delilah is completely closed off from everyone except her ex-girlfriend for 80% of the book. For a town that has housed her family for centuries and which she feels a great affinity for, we never experience her interact with any of her relatives. However, we don't really learn much about Delilah's past or why she has such a prickly relationship with Emmy or half the town. It just seems to chalked up to being Delilah's personality.  And for someone who’s supposedly very closed off she was oddly instantly and fully trusting of a (presumably dangerous) stranger.  

    I felt for her situation from the previous book, and was looking forward to seeing things resolve for her. However, I very quickly realized that Delilah herself was very unlikable. To hold a grudge or withhold forgiveness is one thing, but to verbally abuse and take advantage of the people around you is another. This lasted far too long for me while showing very few redeeming qualities. I was also really frustrated that she seemed to covet the position of shopkeeper/historian which was originally not supposed to be hers, and then she casts this forbidden spell and doesn't want to tell anyone because she's afraid of being stripped of her position. It was hypocritical and quite self-righteous of her to put herself in some sort of moral high ground and then still act in her own self-interest after putting her town at risk. I enjoy morally grey characters and anti-heroes but this was written as if we were supposed to sympathize with Delilah, as if this behavior didn't make her a bit of an entitled brat. In addition, as someone who prides herself on being logical and discerning she certainly has interesting ways of justifying her own actions and those of her even more problematic partner.

    Catriona has a beautiful name, but is an absolutely insufferable person. I hated her. I knew from the first moment that she was bad and so did everyone else except, of course, Delilah. Every scene she was in made me angry. She is a duplicitous monster hunter from the Shadow Court, who came to Thistle Grove to steal a magic book and I guess take a witch as a slave back to the Court. She constantly lies to and manipulates Delilah and I am supposed to root for her as a romantic partner? In the beginning she helps out by slaying the monsters that Delilah attracts, but over time she seems to encourage her more destructive and selfish tendencies which sucked.

    This book was a slog. I missed the hustle and bustle of Thistle Grove’s tight community feel that we got in the first installment. The plot was overly simple and the tension and suspense was unbelievably low. The way in which the central problem is solved is incredibly straight forward and the obstacle to this solution felt very contrived. The romance really didn’t work either as  Delilah seems attracted to literally every woman in town and I'm at a loss for what makes Cait so special to her in such a short period of time, especially as we suspect, and later confirm, that she is a terrible person.

    Delilah is solely to blame for telling Cait all the secrets of her town – which are secrets for a reason. And then she just lets her leave with the book of blood spells and absolutely nothing bad comes of it. So, really no suspense at all. Delilah  forgives Cat incredibly easily when she turns up at the end of the book out of nowhere asking to make Thistle Grove her permanent new home, and to my absolute astonishment she mentions love in relation to this traitorous bitch. Delilah is angry and then she forgives and that's it. But why all the animosity towards Nina earlier on, when Cait’s actions are objectively worse?

    And finally -  did we really need Cait to come back? There is no future in which I'm okay with these two being together after everything Cait did to Delilah. I guess we needed the central pair back together for a HEA, but this one is toxic and unearned. Honestly, Delilah being single and working on herself would’ve been a happier ending to me. Having their quazi-relationship being the catalyst for change in Delilah, would be ok. But them being together after all of that bullshit? No thanks.

    Thankfully there is only one more book in this series. I really hate myself for buying books before vetting them well first.

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"the combined aromas of hot cinnamon, ground coffee, and sweet cardamom intoxicated her, and as she brewed and smiled and served and chatted, a deep contentment welled up. it was a glowing warmth she’d never experienced before, and she liked it. she liked it a great deal."
 
    Legends & Lattes is a cozy fantasy about an orc who retires from the warrior life to open a café. Along the way, she makes some friends and learns to rely on others.

    The novel takes conventional high fantasy tropes and spins them. It has coffee shops and orcs and elves and succubi and  bards and direcats and dwarves, and tackles the logistics of living in a magical world where these things exist. It does have Viv facing expected troubles in a new town and expected villainy from ex crew mates. My biggest gripe is that the first half is over-burdened with detailed but not actually descriptive narration of building a coffeeshop. We get many pages of supplies being fetched and assembled, but I was still left without a clear idea of what the new shop or the city it was located in look like.

    This is a 300 page book where the characters just hang out and chat, and do their own thing. Mind their own business. There’s not much plot, you are just following our main character along while she tries to put together her own coffee shop and makes tons of friends along the way. It's cozy and quiet. But there was nothing beyond that. It tried to have a sort of plot and some action towards the end, but the way it went about it was so cartoonish that I would've preferred it to be left out entirely in favor of more character work.

    It is a nice story about nice people - the retired orc Viv who, with the pocketed bounty of her final raid, settles down in the town of Thune to pursue her secret dream: opening a coffee-shop. She hires carpenter Cal to help her remodel a livery she has bought. Then she meets succubus Tandri who wants people to see beyond her nature, and hires her to be her shop assistant. Later Thimble, a rattkin, displays his baking skills and is hired as pastry maker, who invents the cinnamon rolls and other pastries. They set up shop, make friendships and lattes, stand up for each other, and invent more things, like iced coffees and travel mugs. For a while, their problems are about getting customers and some technology for the kitchen, but soon there are others - the neighborhood gang, ghosts from Viv's mercenary past.

    The whole thing hinges on the fact that the town Viv sets up shop in has never heard of coffee – a sensational gnomish invention she sampled on her travels. She never approaches gnomes to learn more about coffee, she just decides to take the idea and sell it somewhere else. Why not apprentice with the gnomes and work at one of their cafés? Or hire gnome workers, instead of others who have no idea what coffee is. It is also quite improbable that in this town full of students and travellers, no one has heard of coffee. Really?

    This book was just okay; it doesn’t do anything offensively wrong, but doesn’t quite nail any of its elements either. The plot is virtually non-existent. Although I was expecting low stakes, I was expecting some element of story, and therefore conflict of some kind. We get none: every challenge Viv faces is overcome with way too much ease, there is no discernable arc or tension. The characters themselves feel very shallow, having their main characteristic being their fantasy-race and the fact that they’re “nice-despite-looking-tough”. Their interactions remain very superficial and loyalties are never tested. Calling it “found-family” doesn’t feel earned to me, as the book doesn’t succeed to establish that level of connection between these characters; there’s basic co-worker interaction, and then a romance falls out of thin air. I really need more on-page chemistry or supporting each other through challenges to call something a found fantasy.
 
   All in all, cute and vibey, but don’t expect any plot. The cozy vibes is what sticks with me, the characters and everything else seems to be slipping away quite quickly.
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 "danger rarely wore a monstrous face and a wielded a pitchfork. no, danger came most often in the form of nice people whose niceness only went so deep, who saved their niceness for people exactly like them, who believed they were more deserving of power and respect than anyone who was a little bit different."

    Aside from the quarterly meetings of England’s witch population, they are living very separate lives. Apparently when they get together, their magic, which manifests as something like those specks you see in the air when bright light shines in an enclosed space, but gold, visible only to those with witch blood, combine and draw attention. Also, they are all orphans.

    Mika Moon has been looking for an opportunity. She was the unusual one in this group, being the child of a witch, and the granddaughter of a witch, when most of her peers are born by ordinary people. When she was orphaned in India, Primrose Beatrice Everly, maybe the oldest living witch, found her and brought her to England, where she was raised in Primrose’s home. Not the worst life, but a lonely one. So, Mika amuses herself by posting videos online of her pretending to be a witch, expecting that no one would believe she really is one. But someone does see the golden sparkle around her, and so a ‘Help Wanted’ ad finds its way to her. Apparently, someone needs help with some children.

    Convinced that she’s actually a witch, retired actor Ian invites Mika to Nowhere House, where he lives with his husband, Ken, housekeeper Lucie, librarian Jamie, and three precocious young witches named Rosette, Terracotta and Altamira, wards of Lillian Nowhere, herself a witch. While Lillian, the lady of the house who had adopted the girls from different parts of the world, is away, he hopes that Mika can teach these young witches how to control their power before a visit from a solicitor in six weeks’ time that will determine whether they can stay at Nowhere House.

    At first Mika is stunned. Her first instinct is to call Primrose and report this brazen violation of the witches’ agreement. These witches are living in close quarters and Mika sees their combined magic as a sure sign of imminent peril! There are also four, completely non magical, grownups of Nowhere House. They are very welcoming, well, except for two – the grumpy Jamie and the feisty Terracotta who follows his lead in everything. While it is clear that this is a loving household, it is also very obvious that someone needs to train the girls in how to manage their unusual gift. Looming over the whole thing, and giving Mika a deadline, is Lilian’s accountant, set to arrive in six weeks, who holds enormous power over everyone in the house, the girls in particular. If their magic is not locked down on time it could result in the dissolution of the household.

    Jamie, the grumpy, protective librarian who had the most responsibility for the girls is the slowest to thaw towards Mika. But though they are opposites in their personalities, it is obvious what’s coming the instant these two cross paths. The romance here is formulaic, but still charmingly done and with some nice magical elements. Over time Jamie reveals himself to be kind, charming, caring, and protective. . I really enjoyed seeing him grow and realize that he can move past his difficult childhood and that there 
is someone who cares for him. 

    The relationships between this whole cast of characters are so amazing. The girls obviously view the older caretakers as sort of grandparents. The adult’s shenanigans were very fun to keep track of. Ian is flamboyant and hilarious and creates as many problems as he tries to solve! It was funny to watch Ken, Lucie and Jamie try to keep him in check. The girls fight as children do, but at the heart of it, they fiercely love one another and it was sweet to see them find a place in their hearts for Mika too. I also enjoyed seeing Mika’s sunshiney personality melt big ol’ grump Jamie’s heart. They had fun chemistry and made sense as a couple.

    Throughout, Mika struggles with her need for a family, for acceptance and love. She has been raised to believe that attachment is lethal, as once non-witch people in her life learn of her powers, only trouble follows. To protect herself, she doesn’t get attached, never settles in anywhere and keeps moving. Her only real company is her dog Circe. This all makes for a very lonely life. She is a strong , funny, intelligent and resourceful woman, level-headed and kind despite her upbringing. But with the mindset instilled in her, how is she to accept what appears to be a real connection to a loving family or partner since it could be yanked away at any time? Despite her best efforts, she finds herself falling for Jamie, but also for the eclectic family gathered at Nowhere House.

    This was such a fun and heartwarming love story about belonging, learning that you do deserve love, finding your home and family.

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 "but that was the point, and the comfort of it, too; no matter the weight of your pain or loss, the world only ever knew how to move on."

    The story follows Nineve ‘Nina’, a dutiful Blackmoore family member who is nursing a broken heart from a fiance who left her at the altar. Trying to get back into the dating scene, Nina decides to accept a date with the most unlikely person she can find on a dating app, which happens to be Morty Gutierrez.

    Morty who owns a bar that Nina’s family—with her help—has been aggressively trying to purchase out from under him. Nina is brilliant, generous, and considerate, likes order, and is a science fiction and fantasy fan. Morty is perceptive, kind, and a bit of a risk taker. Despite their differences, they find they have things in common. Strange events end up fostering a magical connection between Nina and the non-magical Morty, which end up giving Morty magical powers, and bringing them closer than ever expected.

    Nina also has a strange and mysterious connection with an unknown entity, which was mysterious and compelling. I liked how it deepened the town lore, though giving that kind of power to a Blackmoore just felt a bit over the top, as they have already seized most of the power for themselves anyway. I think a big problem I had with this book is that I just really don't like the Blackmoore family, and focusing so much on them was not a selling point. Howevermuch Nina tries to distance herself from her family’s reputation, she still fails to recognize that they are the bad ones – for someone who is supposedly very much steeped in the geek culture, it’s ridiculous that she doesn’t recognize her family as the equivalent to the Empire from Star Wars, with her terrible grandmother at the helm.

    The plot is solid, absorbing, and intriguing with a storyline that definitely packed a punch. The diverse characterization and great world-building details provide insight into the town’s inhabitants and their differences – both between the witches and the regular people, as well as between the witch families themselves. But there is an undercurrent of a familial abuse plotline that ends up being somehow both deeply underdeveloped and cartoonishly evil at the same time. The resolution of this plotline feels random and unearned for how little space it is given on page and how little it is discussed or referenced throughout the novel.

    Additionally, I must note that I was a little disappointed in Morty's non-binary description. The use of Morty's pronouns, he/they, and how he was described using only masculine terms throughout the book took away from the intended representation. There is a scene in the book where Nina asks Morty about his pronouns and they say how they mostly use "he/him" because of his family but use "they/them" at bars and with friends. What disappoints me is that not a single character uses they/them pronouns for Morty throughout the entire book, not even this woman they supposedly have a soul bond with and who is supposed to know him better than anyone. 

    This series is starting to drag, and reading it feels suspiciously like a chore – but I already own them, so I’m going to get my money’s worth, I guess.

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 "she wasn’t so much afraid of dying as she was of forgetting to live her life. somewhere along the way, she’d forgotten to figure out who she was or what she wanted to be when she grew up."

    I mean, the title and the author’s last name give away the vibe of this book completely. It’s the Gilmore Girls setting with the plot of a Hallmark movie. And you know what – I gobbled it all up.

    There’s nothing like starting fresh in a new town, (named Dream Harbor – how can you not love that name?) with a new job, because she inherited Aunt Dot’s Café. And, it certainly helps having an attached apartment included. But no sooner is she there that she is being bombarded with crazy noises and disturbances that disrupt her sleep for nights in a row. That’s Janie’s introduction to the town and ‘The Pumpkin Spice Café’.

    With a baseball bat at the ready, Jeanie is introduced to Logan, the local farmer who supplies the café with fresh produce. He was delivering pumpkins when Jeanine tried using her weapon of choice to defend herself, thinking he was an intruder. Unsure of what to do next, she is advised to look for help in the town. And with true charming, fantasy small town fashion, people step in, and the café is soon open for business.

    Logan, the grumpy farmer, is a bit reserved, and not open to romance. Having his heart broken and his proposal rejected in front of the whole town might be the reason. He is licking his wounds and is reluctant to trust anyone again, despite his lovely grandparents pushing him to try. But as he offers Jeanie help – by having a stakeout at her apartment to discover who the intruder making all that noise is – he has to admit that there’s something about this pretty newcomer.

    The townspeople are lovely and welcoming, there are wacky town hall meetings and a mayor that predicts the future, a goat named Harry Styles and much more… It’s not groundbreaking writing but it is cozy and autumnal and I want more of it.

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"we give our hearts and take them back, as we see fit. we choose our own course, set sail by our own stars. and no one else can ever - should ever - how to master us."

    In this installment, we're treated to Isidora Avramov and Rowan Thorn in a classic enemies-to-lovers scenario; one of my favorite romance tropes.

    With the Beltane holiday approaching, the whole town of Thistle Grove, Illinois is gearing up for the celebration. Unfortunately, before it even begins, their festival preparations are sabotaged by a dark magical attack and a member of the Thorn family is seriously injured.

    As the Avramov family’s specialty is necromancy they are the obvious suspects, though they deny any involvement. Issa and Rowan are chosen to work together as co-investigators to figure out who did it and how to stop them, while trying to sort through their conflicting feelings for one another. And everything about these two seems to be in conflict – from their families, to their personalities.

    Issa chases thrills, she’s a bit of a rebel with her demon-summoning skills, but she is also pragmatic, stubborn, and bold. Though she’s the artistic director for the Avramovs’ haunted house, she secretly wants to design her own clothing line. However, guilt and fear are holding her back. Rowan, on the other hand, is a by-the book type of person and has a low opinion of Issa after she volunteered at a wildlife sanctuary seven years ago while he was a veterinarian intern there.

    I really enjoyed seeing the differences between the two families and getting to watch the two characters realize that they may have been wrong about one another in the past. It's a bit of fluffy reading with low stakes and not much substance, but the season calls for it.

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"to catch someone’s eye and know what they were thinking. to be in a room full of people and know that that person was yours. to not just enjoy someone, but enjoy the person she was with them."

    Having already experienced the town of Graves Glen, I was excited to head back and see what new trouble awaited our crew of witches. In ‘The Kiss Curse’, we have the fun angle of competing stores, and my favorite enemies-to-lovers, when a familiar face returns to town and sets up shop across the street from Gwyn’s.

    Gwyn, often described as a ‘tornado disguised as a beautiful woman’, is perfectly happy with her life, being with her mother and cousin, running her touristy witchcraft shop “Something Wicked”, and beginning to mentor to a group of three “Baby Witches” who want to learn more than what their school will teach. She’s even ok with her cousin Vivi’s new husband, Rhys, even if she is uneasy about his family.  There is also a lot more responsibility as it’s the Jones family’s magic that now fuels Graves Glen, so the Joneses are now responsible for protecting it. So, as Halloween approaches and business is set to drum up, Gwyn is unprepared for the day that Wells Penhallow returns to Graves Glen, announces that he’s staying permanently, and then opens up a more upscale witchcraft shop right across the street from hers.

    Llewellyn ‘Wells’ Penhallow runs a pub back in Wales. However, with his country pub dying due to the family’s magic leaving, and no real reason to stick around his miserable father Simon, Wells decided he needed a change of scenery and so he decided to join his brother, Rhys in a small town in Georgia. He was determined to carve out a space for himself in what was originally his family’s own town. Even if that meant squeezing Gwyn Jones out.

    Gwyn could deal with all that business stuff, even the fact that she’s attracted to this gorgeous jerk-who’s-maybe-not-a-jerk-after-all. But Morgan, a witch with a mysterious past who Gwyn went to school with, has also just returned to Graves Glen. And at the same time all of this is happening, Gwyn begins to lose her magical powers… Wells is the one she turns to for help.

    I really enjoyed their characters. Gwyn is free-spirited, outspoken, and caring, while Wells is broody, serious, and loyal. He's hard to crack, but once Gwyn does, he's nothing but a soft-hearted simp. Their fiery chemistry mixed with their competitive natures made Gwyn and Wells such a treat to read about. And at one point, what starts out as a bickering match quickly turns into a very unprofessional, yet extremely enjoyable - and very hot - kiss. Of course, Gwyn blames it on the magic. *eye roll* I loved the way they turned to one another when trouble was afoot, despite their professed mutual dislike. All in all, it was the perfect mix of romance and adventure.
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About Me



I blog from time to time about things that inspire me. Lately, I have been getting back into the habit of reading, and my posts reflect that. I'm also always trying to take pretty photos, with varying degrees of success.


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