the sunday lit

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"maybe this should be one more bucket list item—stop obsessing about perfect to-do lists. start being a little more flexible."

    This is a sweet read, which is mostly very innocent and reads like a PG Hallmark Christmas movie. I would say it's more aimed at pre-teens, and is a very gentle tale about a girl coming out of her shell and finding her feet outside the safety of her books. I was fooled by the cover, but the family dynamics here were far more interesting than the romantic drama.

    Sisters Tess and Lauren go to their grandmother's ski lodge in Vermont for the holidays while their parents work out their divorce. Tess, to me, was pretty unlikable. She is a type A introvert, but she's also very self-involved and gets annoying pretty quickly. I could chalk it up to her being a teenager, but as I get older some of these thing really annoy me.

    When I first started this novel I was in love. It pulled me in immediately, I loved the feeling it gave me while I was devouring the pages. I also really liked the festive vibes of the hotel, and I actually finished it on New Year’s Eve.

    However, as the story progressed, it took a different turn and if I'm completely honest, it bored me with its predictability. The plot is: the love interest, Christopher, is stuck inside with a cast and is trying to help Tess come out of her shell by writing a check-list of bold new things she could try by NYE. This is a fun idea and interesting in places, but makes the book read like a checklist of cliché tropes: there’s the love-triangle, here’s the break-up chapter, and finally there’s the make-up scene.

    I think the love interest was mediocre. They got together pretty quickly in the beginning which for me doesn’t build a lot of tension between the characters and feels a little bland. Also, by the end, even though I understood his reasoning later on, the male love interest was kind of a jerk? I mean, everyone here seems to be a jerk.

    I should have guessed from the beginning how immature Tess was by her interaction with her sister, but I chalked it up to her sister just being mean. Christopher encourages her to try new things and goes out of his way to help. And yet the one thing he asks her to believe him about, she doubts all because the guy flirts with her? The guy in question purposely physically harmed Christopher but because he's all charm and niceness to Tess, she refuses to believe it. Joke’s on her.

    The plot at times can be a bit dramatic and when it comes to that it is always a hit or miss. Here, it just made the book less desirable to read but since it’s a short one I just pushed on. I did like the first half much more than the last half though, as it mostly sets up this cozy atmosphere.

    It was an acceptable story, but I didn't like how romance pulled all the focus and the bigger problems were hidden under the carpet, instead of explored. The family dynamics and relationships were not resolved to my satisfaction.

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 "i like to think i would have come to the decision on my own. that i'd been bold enough, determined enough, to not need a push. but truth be told i did need the push. and it came in the form of three letters."

    Ellie, the main character, is going through a crisis: losing her job, her relationship and her home just before Christmas. As an archivist, she is used to order, but her life has become chaos. After moving in with her brother and his daughter, she receives a mysterious  job offer on an isolated Scottish island, which seems like a chance to escape from her problems and find herself.

    This new job includes translating and archiving letters to Santa, in an office set within the caves on this island. I loved finding out what the letters said and found many of them rather touching. Ellie though, finds it very hard to do this job without getting emotionally involved and wanting to act upon some of the requests – which is a big no-no and causes some strife. I was a bit muddled on would  what actually happened to the letters that made the shortlist, or rather what happened for the writers. It felt like that part was sort of skipped over. (Or did I miss it?) Perhaps that’s just part of the magic of the island and remains a mystery.

    While on the island, Ellie lives with her employers. Clementine, an eccentric baker, who is so exuberant and downright jolly, adds warmth and lightness, her baked goods literally coming to life on the pages. Her twin brother, Cole, could not have been more different – he is reserved and serious, sometimes too serious and a stickler for the rules. Clem became a real friend to Ellie, but she also gradually warmed to Cole, as he did to her. The romance was nice, though I didn’t buy it completely and could have honestly been fine even without its inclusion. The old uncle Joe was such a character as well, as was Cole's son Alex, and the way the other archivist, Aiden, settled into life there was realistic – as he slowly acclimatized to a slower, more isolated life (though he could definitely never live off the grid permanently).

    What is wonderful in this novel is the Christmas atmosphere. Although the events cover a whole year, the feeling of celebration and coziness oozes off every page. The magic of the book is in the details, creating the perfect winter story for those looking for a light and atmospheric read, which adds to the season, but is not overly cliched Christmas themed read (though they are fun when you’re in the mood). There was some family drama, that wasn't too deep, but did add substance to the story.
    
The charming cover, the atmosphere of the Scottish island and the magic of the details make it a good choice for a cozy evening. However, the lack of dynamism and predictability leave the story feeling like something essential is missing. It felt like reading a magical middle grade for grownups. There wasn’t much depth to the world, aside from the atmosphere I keep praising.

    Part romance, part life change, part magical realism. It’s a book where I wasn’t sure if the elements would pull together, but I’m so glad I gave it a chance. Because it really worked.
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 "i want to live small and happy, i want to leave only the tiniest footprint on the world. why isn't that something to aspire to? my life goal is to feel contentment; to me that's the only thing worth striving for."


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 "i would do a hundred things differently if i could go back and change the past, but not if it meant you ended up resenting me."

    This is a story of two romance writers. Five years ago, at Jess’s favorite holiday – Christmas, of course, Nick broke up with her for unknown reasons. His career then takes off, turning him into an NY Times Bestseller author who gives life to unhappy endings, while Jess is struggling.

    Jessica Carrington is working in a coffee shop to make ends meet and trying to move on with her life. When her agent forces her to give the Romance Author of the Year award to her ex, Nick, she thinks the universe must be pulling a joke on her. I mean, can his books even be categorized as romance if they all end with no happily-ever-after in sight? But, the SVP organization will cover her hotel room for the night and give her an opportunity for some exposure by showing how good of a team player she is. She has no desire to reunite with the man who broke her heart and deliver him this award that marks how his career has skyrocketed, while she is stuck in writer’s block, but sacrifices have to be made.

    Nick Matthews is a fan favorite romance writer, whose books always seem to have tragic endings. But, he is also struggling with writer’s block, resents his decision to let Jess get away and still has deep feelings for her. Interestingly, the moment he starts DMing her through social media regarding the awards ceremony, the idea of a second chance novel plot appears in his mind – the same thing happens to Jess who is inspired by their argumentative banter as well.

    But just when they think they’ve gotten that whole reunion thing out of the way, a freak snowstorm strands the whole hotel, and Jess, whose reservation has gone missing, has nowhere to stay as the hotel is fully booked. Thankfully, Nick has a room and he’s ready to share it with Jess. What harm can it do, even though there’s only one bed in the room? They will spend only one night together, then be on their separate ways. They can be civil: no need to fight or tear each other’s clothes off, right?

    While they might've believed that they'd moved on, the forced proximity and sharp moments of angst ratcheted up the tension, while their shared love of romance novels brought some tender moments. They find themselves in another career-related situation that pushes them to bury the hatchet and fix their problems from their shared heart-wrenching past. Now writing a shared novel, inspired by their personal situation, Jess and Nick trade quips and barbs and a Word document. The banter made this fun and playful, even in its heavier moments, and I found it exceedingly easy to binge. But will the peace lasts when the reason for Nick leaving all those years ago is revealed?

    I loved that Nick was clearly still in love with Jess, though I hated that they'd kept those feelings alive while moving on with other people. The reason for their breakup is not revealed to the reader until late in the story, so I was more accepting of their miscommunication than I probably would've been in a different situation. I felt bad for them both, and it was obvious how good they were together. We get a few flashbacks that showcase some of their best moments, and the contrast between past and present was very clear.
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 "in order to keep living, you need to move on."

    Following Hannah, Finn, Priya, and Theo over a span of years, The Christmas Orphans Club is about four best friends who don't have family to spend Christmas with, so they spend it with each other. After a tumultuous few years, Hannah finally feels settled with her friendships until Finn drops a bomb: he's moving to LA. Now Hannah feels the need to make this Christmas better than ever, but there's still some cracks in her personal life that are starting to grow larger. This book is a love letter to friendship, to New York, and to growing up.

    The premise is that Hannah and Finn became college friends over one Christmas they spent together on campus because, for different reasons, they weren't with family that day. Hannah is an actual orphan, with a sister who is not interested in having a relationship, and Finn was disowned by his parents when he came out. Thus, after that holiday in sophomore year, began a holiday tradition. Along the way, these Christmas orphans added two more members to their club - Theo, the forgotten son of a billionaire, and Priya, a fashionista from India who isn’t used to celebrating the holiday.

    It's mostly about friendship and found family, but it's also a very layered story that's also about love (including LGBTQIA+ romance), biological family drama, and growing up. Hannah is terrified of losing the family she's built for herself, even as her seemingly perfect boyfriend nudges her toward commitment. Meanwhile, Finn struggles with the things he's about to leave behind--namely, his unexpressed feelings for Theo. They all need to take stock of their lives and grow up, but who says they can’t have some fun while doing it?

    Something that did not work for me in this novel was Priya. Her character was underdeveloped and one-dimensional, and she came off completely unlikable. I kept wondering throughout the book why Hannah, Finn, and Theo were even friends with her because she didn’t seem to enjoy the holidays, or even their group, as much as they did. Her sarcasm and negative attitude grated my nerves, and I kept wishing that the Orphans Club would just kick her to the curb.

    Christmas is a hard time for a lot of people, and I love that this book celebrated the season while also acknowledging the complicated feelings many of those celebrants may have. It’s very much a modern, non-traditional Christmas story and I think even those that aren’t seasonal book readers will eat this right up!

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"she never, ever wanted to seem like she needed attention, extra care. she’d spent her childhood trying to ignore the drama of the family that surrounded her, and maintained her status as the most low-maintenance friend to everyone she knew."

    Charlotte hates Christmas. This is partially because her parents didn't make good memories during the holiday and in part because of her brief stint as an actress.

    She is a successful illustrator, but also a former child actress and there's no escaping the one film she starred in: Christmas, Truly, a Love Actually-type holiday movie. When a news article reveals that she is refusing to appear in a reboot, and the fans are out for blood, she flees to London to spend an extended holiday season with her sister and her family. As you can imagine, she's not pleased when she winds up on a family excursion to the stately home where the movie was filmed.

    But that's where she meets Graham, whose famous ancestor owned the home and who is trying to figure out a way to keep it going. Graham hires Charlotte to paint Christmas movie themed estates for them to sell in the house as souvenirs. In order to draws them, she needs to actually see these house, o naturally Graham steps up to the task. They spend a lot of time together and something seems to be sparking along the way and maybe Charlotte might stop hating Christmas due to it.

    It is worth noting that Charlotte’s parents who have always worked in the entertainment industry and have a volatile relationship, don’t understand her choices. It is inconceivable to them that she would not want to act, and her career seems so insignificant to them. The way they raised her left her pretty jaded on both the romance and the holiday front.

    The London setting and all the seasonal details were delightful and the banter was fun! I also appreciated the unique storyline. This is a cute romance with real adult characters. I thought the couple lacked chemistry, but on the other hand, they were mature, kind, and had fun together, which are actually better foundations for a long term relationship anyway. I was also pleasantly surprised that both leads were childfree and categorically did not want any children. These kinds of romances usually end with a marriage and a gaggle of kids, which I tolerate because – well, you do you. But it is refreshing to see something different.
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"i believe now that the universe delivers random acts of kindness, and it’s on us to decide what to do with them."
 
   Our main character, Mae, has been in love with the son of family friends for years and finally gets a chance to see what would happen if she took a risk that the universe has granted during some Groundhog Day type shenanigans. This all takes place in a cozy holiday cabin featuring holiday traditions. Nothing memorable but a cute, easy read for the holidays.

    This started off so well. I loved the tongue in cheek Groundhog day scenarios, with Mae becoming increasingly demented with each repeating day. Although obviously repetitive, I thought it was clever how the plot was intertwined with the past and the present. I also really liked Mae's relationship with eccentric Uncle Benny. He's the stereotypical hippy laid back family friend who is Mae's closest friend and ally. He knows all her secrets, from her unrequited 13 year crush on Andrew to her unlikely time jump dilemma. He takes it all in his stride, supporting Mae every step of the way.

    But the time loop thing went away once the plot was on track, not to be mentioned again. It was a cool idea and one I thought would be a central focus throughout the book. The synopsis advertises this as a Groundhog Day narrative, but there was definitely not enough time-loop going on. I really would have wanted Mae to jump back one or two more times in situations where it got really juicy. It would have definitely given the book an edge it is missing this way. She only went back into the past like 2-3 times and I don’t feel like they made clear as to why she didn’t go back after that. Also, I have a bone to pick with Mae because she seemed to accept all those time-resettings quite readily, not bothering to try and find an explanation to what was happening to her (something so life-altering happens and your biggest worry is hooking up with a guy?)  

    I did not care that much about the characters, I wanted to see where the story is going but I knew it was the kind of story that I will forget as soon as I finish it. Mae and Andrew felt like YA characters ( they were both in their late twenties; however, I felt like I was reading about some  14 years old with the way they acted). I think there was telling rather than showing, especially when the characters were introduced via Mae and it felt very forced. I love the family dynamic of the story and all the characters that have come together to be such a lovable and close unit. But, near the beginning, we get Andrew literally go on for multiple pages explaining who each of the characters is, their relationship to each other, and basic descriptors of their lives, all in a long string of dialogue. It felt pretty forced, exposition wise.

    The romance part was a bit underwhelming. I was never completely sold on Andrew and Mae. It never really feels genuine for some reason .The story didn't give away enough background. We're told they’ve been secretly in love with each other for years, but we're not told why, what lead them to fall in love, how they discovered it, especially on Andrew's part. Their families only ever get together for Christmas and Fourth of July weekend, so when exactly did they fall in love? Where is the undeniable chemistry between the two? Where is the proof that the two of them have been secretly in love, other than being told that they are? Especially from Andrew's part, where are the signs that he's ever had any feelings for Mae? After so many years crushing on him, it felt she had it too easy, her kissing Theo in another timeline being the only hurdle she had to overcome. (I was actually convinced she was going to come to the conclusion her crush on Andrew was childish and she’d realize Theo was the one (she even kissed him) – I’d hoped it was on of those stories and I believe it would’ve been better that way.) Also, Andrew was such a douchebag when she told him about her feelings, it seemed so out of character with his previous laissez-faire attitude.

    All in all, it’s not a terrible book. It was a quick and easy holiday read, but it left me unsatisfied – it felt like it wanted to say something but gout muddled half-way through. Maybe the writing duo had different ideas on how it would all turn out, but then they threw the dice and chose just one ending – without revising the beginning of the book, so the couple that ends up together doesn’t really have a leg to stand on.
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 "the lies we tell ourselves are often stronger than the truth."

    For those readers who read the second installment “The Cinnamon Bun Bookstore”, we met Kira at the end, when she comes into town to take possession of her property and makes it clear to everyone that she will not be selling Christmas trees.

    Kira, a transplant from Georgia, who has never lived on her own or run a business, bought an abandoned Christmas tree farm, with its run-down and dilapidate house. She is grieving the loss of her best friend and sister – who got married and moved to Denmark with her husband! Yes, our protagonist is a bit immature and self-absorbed to begin with (and is a bit of a recluse), but she comes to her senses pretty quickly and realizes that the inheritance money that she used to buy the farm and house is not going to last long if she doesn’t find an income source. So, she quits her whining and wallowing and she does what she needs to do to get the tree farm up and running.

    Bennett, who is in town visiting his sister Jeanie (from “The Pumpkin Spice Cafe”), is staying in her apartment above the cafe as she moved in with Logan. Bennett is a “tech bro” from California who has a terrible record with the women he dates. He is the proverbial “too nice guy” who women always seem to take advantage of. He has vowed that he is going to stop being so nice and letting women walk all over him. However, old habits are hard to break, and Bennett can’t stop himself from offering to help Kira with stuff around the farm. This wouldn’t be a Dream Harbor story without the smoking hot chemistry and insta-love.

    The two come together to open and improve the Christmas tree farm and open it to customers in time for the holiday season. Kira opens up to the new community she has found and slowly grows out of her spoiled ways, as Bennett wrestles with what he wants. Is his desire to stay with her genuine or another reappearance of his people-pleasing tendencies? And will Kira let him uproot his life for her?
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About Me



I blog from time to time about things that inspire me. Lately, I have been getting back into the habit of reading, and my posts reflect that. I'm also always trying to take pretty photos, with varying degrees of success.


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