the sunday lit

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"liked the rain, myself. there was a cleansing and just slightly melancholy feel to it that dovetailed with how i felt."

    When desperate Delilah casts a dangerous blood spell to repair her memory, she accidentally becomes a beacon for malevolent creatures. An attractive stranger shows up to help her and Delilah feels she has no choice but to trust her as she defends herself and her town.

    The story opens with a disabled Delilah. Her memory keeps slipping because of an oblivion spell Nina performed in the previous book, and those first chapters were some good writing, powerfully capturing the confusion, overwhelm, grief, and anger of when your brain/body no longer works the way you want it to. Enter Cat, a half-fae warrior who saves Delilah and sticks around while they get to the bottom of this mayhem.

    I have to say, I hated both of the main characters. I can understand Delilah’s issues up to a certain point, but I did not like her at all and found he to be pathetic. She had few redeeming qualities and basically whined the whole book. I don't get why Delilah is completely closed off from everyone except her ex-girlfriend for 80% of the book. For a town that has housed her family for centuries and which she feels a great affinity for, we never experience her interact with any of her relatives. However, we don't really learn much about Delilah's past or why she has such a prickly relationship with Emmy or half the town. It just seems to chalked up to being Delilah's personality.  And for someone who’s supposedly very closed off she was oddly instantly and fully trusting of a (presumably dangerous) stranger.  

    I felt for her situation from the previous book, and was looking forward to seeing things resolve for her. However, I very quickly realized that Delilah herself was very unlikable. To hold a grudge or withhold forgiveness is one thing, but to verbally abuse and take advantage of the people around you is another. This lasted far too long for me while showing very few redeeming qualities. I was also really frustrated that she seemed to covet the position of shopkeeper/historian which was originally not supposed to be hers, and then she casts this forbidden spell and doesn't want to tell anyone because she's afraid of being stripped of her position. It was hypocritical and quite self-righteous of her to put herself in some sort of moral high ground and then still act in her own self-interest after putting her town at risk. I enjoy morally grey characters and anti-heroes but this was written as if we were supposed to sympathize with Delilah, as if this behavior didn't make her a bit of an entitled brat. In addition, as someone who prides herself on being logical and discerning she certainly has interesting ways of justifying her own actions and those of her even more problematic partner.

    Catriona has a beautiful name, but is an absolutely insufferable person. I hated her. I knew from the first moment that she was bad and so did everyone else except, of course, Delilah. Every scene she was in made me angry. She is a duplicitous monster hunter from the Shadow Court, who came to Thistle Grove to steal a magic book and I guess take a witch as a slave back to the Court. She constantly lies to and manipulates Delilah and I am supposed to root for her as a romantic partner? In the beginning she helps out by slaying the monsters that Delilah attracts, but over time she seems to encourage her more destructive and selfish tendencies which sucked.

    This book was a slog. I missed the hustle and bustle of Thistle Grove’s tight community feel that we got in the first installment. The plot was overly simple and the tension and suspense was unbelievably low. The way in which the central problem is solved is incredibly straight forward and the obstacle to this solution felt very contrived. The romance really didn’t work either as  Delilah seems attracted to literally every woman in town and I'm at a loss for what makes Cait so special to her in such a short period of time, especially as we suspect, and later confirm, that she is a terrible person.

    Delilah is solely to blame for telling Cait all the secrets of her town – which are secrets for a reason. And then she just lets her leave with the book of blood spells and absolutely nothing bad comes of it. So, really no suspense at all. Delilah  forgives Cat incredibly easily when she turns up at the end of the book out of nowhere asking to make Thistle Grove her permanent new home, and to my absolute astonishment she mentions love in relation to this traitorous bitch. Delilah is angry and then she forgives and that's it. But why all the animosity towards Nina earlier on, when Cait’s actions are objectively worse?

    And finally -  did we really need Cait to come back? There is no future in which I'm okay with these two being together after everything Cait did to Delilah. I guess we needed the central pair back together for a HEA, but this one is toxic and unearned. Honestly, Delilah being single and working on herself would’ve been a happier ending to me. Having their quazi-relationship being the catalyst for change in Delilah, would be ok. But them being together after all of that bullshit? No thanks.

    Thankfully there is only one more book in this series. I really hate myself for buying books before vetting them well first.

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"the combined aromas of hot cinnamon, ground coffee, and sweet cardamom intoxicated her, and as she brewed and smiled and served and chatted, a deep contentment welled up. it was a glowing warmth she’d never experienced before, and she liked it. she liked it a great deal."
 
    Legends & Lattes is a cozy fantasy about an orc who retires from the warrior life to open a café. Along the way, she makes some friends and learns to rely on others.

    The novel takes conventional high fantasy tropes and spins them. It has coffee shops and orcs and elves and succubi and  bards and direcats and dwarves, and tackles the logistics of living in a magical world where these things exist. It does have Viv facing expected troubles in a new town and expected villainy from ex crew mates. My biggest gripe is that the first half is over-burdened with detailed but not actually descriptive narration of building a coffeeshop. We get many pages of supplies being fetched and assembled, but I was still left without a clear idea of what the new shop or the city it was located in look like.

    This is a 300 page book where the characters just hang out and chat, and do their own thing. Mind their own business. There’s not much plot, you are just following our main character along while she tries to put together her own coffee shop and makes tons of friends along the way. It's cozy and quiet. But there was nothing beyond that. It tried to have a sort of plot and some action towards the end, but the way it went about it was so cartoonish that I would've preferred it to be left out entirely in favor of more character work.

    It is a nice story about nice people - the retired orc Viv who, with the pocketed bounty of her final raid, settles down in the town of Thune to pursue her secret dream: opening a coffee-shop. She hires carpenter Cal to help her remodel a livery she has bought. Then she meets succubus Tandri who wants people to see beyond her nature, and hires her to be her shop assistant. Later Thimble, a rattkin, displays his baking skills and is hired as pastry maker, who invents the cinnamon rolls and other pastries. They set up shop, make friendships and lattes, stand up for each other, and invent more things, like iced coffees and travel mugs. For a while, their problems are about getting customers and some technology for the kitchen, but soon there are others - the neighborhood gang, ghosts from Viv's mercenary past.

    The whole thing hinges on the fact that the town Viv sets up shop in has never heard of coffee – a sensational gnomish invention she sampled on her travels. She never approaches gnomes to learn more about coffee, she just decides to take the idea and sell it somewhere else. Why not apprentice with the gnomes and work at one of their cafés? Or hire gnome workers, instead of others who have no idea what coffee is. It is also quite improbable that in this town full of students and travellers, no one has heard of coffee. Really?

    This book was just okay; it doesn’t do anything offensively wrong, but doesn’t quite nail any of its elements either. The plot is virtually non-existent. Although I was expecting low stakes, I was expecting some element of story, and therefore conflict of some kind. We get none: every challenge Viv faces is overcome with way too much ease, there is no discernable arc or tension. The characters themselves feel very shallow, having their main characteristic being their fantasy-race and the fact that they’re “nice-despite-looking-tough”. Their interactions remain very superficial and loyalties are never tested. Calling it “found-family” doesn’t feel earned to me, as the book doesn’t succeed to establish that level of connection between these characters; there’s basic co-worker interaction, and then a romance falls out of thin air. I really need more on-page chemistry or supporting each other through challenges to call something a found fantasy.
 
   All in all, cute and vibey, but don’t expect any plot. The cozy vibes is what sticks with me, the characters and everything else seems to be slipping away quite quickly.
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 "danger rarely wore a monstrous face and a wielded a pitchfork. no, danger came most often in the form of nice people whose niceness only went so deep, who saved their niceness for people exactly like them, who believed they were more deserving of power and respect than anyone who was a little bit different."

    Aside from the quarterly meetings of England’s witch population, they are living very separate lives. Apparently when they get together, their magic, which manifests as something like those specks you see in the air when bright light shines in an enclosed space, but gold, visible only to those with witch blood, combine and draw attention. Also, they are all orphans.

    Mika Moon has been looking for an opportunity. She was the unusual one in this group, being the child of a witch, and the granddaughter of a witch, when most of her peers are born by ordinary people. When she was orphaned in India, Primrose Beatrice Everly, maybe the oldest living witch, found her and brought her to England, where she was raised in Primrose’s home. Not the worst life, but a lonely one. So, Mika amuses herself by posting videos online of her pretending to be a witch, expecting that no one would believe she really is one. But someone does see the golden sparkle around her, and so a ‘Help Wanted’ ad finds its way to her. Apparently, someone needs help with some children.

    Convinced that she’s actually a witch, retired actor Ian invites Mika to Nowhere House, where he lives with his husband, Ken, housekeeper Lucie, librarian Jamie, and three precocious young witches named Rosette, Terracotta and Altamira, wards of Lillian Nowhere, herself a witch. While Lillian, the lady of the house who had adopted the girls from different parts of the world, is away, he hopes that Mika can teach these young witches how to control their power before a visit from a solicitor in six weeks’ time that will determine whether they can stay at Nowhere House.

    At first Mika is stunned. Her first instinct is to call Primrose and report this brazen violation of the witches’ agreement. These witches are living in close quarters and Mika sees their combined magic as a sure sign of imminent peril! There are also four, completely non magical, grownups of Nowhere House. They are very welcoming, well, except for two – the grumpy Jamie and the feisty Terracotta who follows his lead in everything. While it is clear that this is a loving household, it is also very obvious that someone needs to train the girls in how to manage their unusual gift. Looming over the whole thing, and giving Mika a deadline, is Lilian’s accountant, set to arrive in six weeks, who holds enormous power over everyone in the house, the girls in particular. If their magic is not locked down on time it could result in the dissolution of the household.

    Jamie, the grumpy, protective librarian who had the most responsibility for the girls is the slowest to thaw towards Mika. But though they are opposites in their personalities, it is obvious what’s coming the instant these two cross paths. The romance here is formulaic, but still charmingly done and with some nice magical elements. Over time Jamie reveals himself to be kind, charming, caring, and protective. . I really enjoyed seeing him grow and realize that he can move past his difficult childhood and that there 
is someone who cares for him. 

    The relationships between this whole cast of characters are so amazing. The girls obviously view the older caretakers as sort of grandparents. The adult’s shenanigans were very fun to keep track of. Ian is flamboyant and hilarious and creates as many problems as he tries to solve! It was funny to watch Ken, Lucie and Jamie try to keep him in check. The girls fight as children do, but at the heart of it, they fiercely love one another and it was sweet to see them find a place in their hearts for Mika too. I also enjoyed seeing Mika’s sunshiney personality melt big ol’ grump Jamie’s heart. They had fun chemistry and made sense as a couple.

    Throughout, Mika struggles with her need for a family, for acceptance and love. She has been raised to believe that attachment is lethal, as once non-witch people in her life learn of her powers, only trouble follows. To protect herself, she doesn’t get attached, never settles in anywhere and keeps moving. Her only real company is her dog Circe. This all makes for a very lonely life. She is a strong , funny, intelligent and resourceful woman, level-headed and kind despite her upbringing. But with the mindset instilled in her, how is she to accept what appears to be a real connection to a loving family or partner since it could be yanked away at any time? Despite her best efforts, she finds herself falling for Jamie, but also for the eclectic family gathered at Nowhere House.

    This was such a fun and heartwarming love story about belonging, learning that you do deserve love, finding your home and family.

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 "but that was the point, and the comfort of it, too; no matter the weight of your pain or loss, the world only ever knew how to move on."

    The story follows Nineve ‘Nina’, a dutiful Blackmoore family member who is nursing a broken heart from a fiance who left her at the altar. Trying to get back into the dating scene, Nina decides to accept a date with the most unlikely person she can find on a dating app, which happens to be Morty Gutierrez.

    Morty who owns a bar that Nina’s family—with her help—has been aggressively trying to purchase out from under him. Nina is brilliant, generous, and considerate, likes order, and is a science fiction and fantasy fan. Morty is perceptive, kind, and a bit of a risk taker. Despite their differences, they find they have things in common. Strange events end up fostering a magical connection between Nina and the non-magical Morty, which end up giving Morty magical powers, and bringing them closer than ever expected.

    Nina also has a strange and mysterious connection with an unknown entity, which was mysterious and compelling. I liked how it deepened the town lore, though giving that kind of power to a Blackmoore just felt a bit over the top, as they have already seized most of the power for themselves anyway. I think a big problem I had with this book is that I just really don't like the Blackmoore family, and focusing so much on them was not a selling point. Howevermuch Nina tries to distance herself from her family’s reputation, she still fails to recognize that they are the bad ones – for someone who is supposedly very much steeped in the geek culture, it’s ridiculous that she doesn’t recognize her family as the equivalent to the Empire from Star Wars, with her terrible grandmother at the helm.

    The plot is solid, absorbing, and intriguing with a storyline that definitely packed a punch. The diverse characterization and great world-building details provide insight into the town’s inhabitants and their differences – both between the witches and the regular people, as well as between the witch families themselves. But there is an undercurrent of a familial abuse plotline that ends up being somehow both deeply underdeveloped and cartoonishly evil at the same time. The resolution of this plotline feels random and unearned for how little space it is given on page and how little it is discussed or referenced throughout the novel.

    Additionally, I must note that I was a little disappointed in Morty's non-binary description. The use of Morty's pronouns, he/they, and how he was described using only masculine terms throughout the book took away from the intended representation. There is a scene in the book where Nina asks Morty about his pronouns and they say how they mostly use "he/him" because of his family but use "they/them" at bars and with friends. What disappoints me is that not a single character uses they/them pronouns for Morty throughout the entire book, not even this woman they supposedly have a soul bond with and who is supposed to know him better than anyone. 

    This series is starting to drag, and reading it feels suspiciously like a chore – but I already own them, so I’m going to get my money’s worth, I guess.

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 "she wasn’t so much afraid of dying as she was of forgetting to live her life. somewhere along the way, she’d forgotten to figure out who she was or what she wanted to be when she grew up."

    I mean, the title and the author’s last name give away the vibe of this book completely. It’s the Gilmore Girls setting with the plot of a Hallmark movie. And you know what – I gobbled it all up.

    There’s nothing like starting fresh in a new town, (named Dream Harbor – how can you not love that name?) with a new job, because she inherited Aunt Dot’s Café. And, it certainly helps having an attached apartment included. But no sooner is she there that she is being bombarded with crazy noises and disturbances that disrupt her sleep for nights in a row. That’s Janie’s introduction to the town and ‘The Pumpkin Spice Café’.

    With a baseball bat at the ready, Jeanie is introduced to Logan, the local farmer who supplies the café with fresh produce. He was delivering pumpkins when Jeanine tried using her weapon of choice to defend herself, thinking he was an intruder. Unsure of what to do next, she is advised to look for help in the town. And with true charming, fantasy small town fashion, people step in, and the café is soon open for business.

    Logan, the grumpy farmer, is a bit reserved, and not open to romance. Having his heart broken and his proposal rejected in front of the whole town might be the reason. He is licking his wounds and is reluctant to trust anyone again, despite his lovely grandparents pushing him to try. But as he offers Jeanie help – by having a stakeout at her apartment to discover who the intruder making all that noise is – he has to admit that there’s something about this pretty newcomer.

    The townspeople are lovely and welcoming, there are wacky town hall meetings and a mayor that predicts the future, a goat named Harry Styles and much more… It’s not groundbreaking writing but it is cozy and autumnal and I want more of it.

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"we give our hearts and take them back, as we see fit. we choose our own course, set sail by our own stars. and no one else can ever - should ever - how to master us."

    In this installment, we're treated to Isidora Avramov and Rowan Thorn in a classic enemies-to-lovers scenario; one of my favorite romance tropes.

    With the Beltane holiday approaching, the whole town of Thistle Grove, Illinois is gearing up for the celebration. Unfortunately, before it even begins, their festival preparations are sabotaged by a dark magical attack and a member of the Thorn family is seriously injured.

    As the Avramov family’s specialty is necromancy they are the obvious suspects, though they deny any involvement. Issa and Rowan are chosen to work together as co-investigators to figure out who did it and how to stop them, while trying to sort through their conflicting feelings for one another. And everything about these two seems to be in conflict – from their families, to their personalities.

    Issa chases thrills, she’s a bit of a rebel with her demon-summoning skills, but she is also pragmatic, stubborn, and bold. Though she’s the artistic director for the Avramovs’ haunted house, she secretly wants to design her own clothing line. However, guilt and fear are holding her back. Rowan, on the other hand, is a by-the book type of person and has a low opinion of Issa after she volunteered at a wildlife sanctuary seven years ago while he was a veterinarian intern there.

    I really enjoyed seeing the differences between the two families and getting to watch the two characters realize that they may have been wrong about one another in the past. It's a bit of fluffy reading with low stakes and not much substance, but the season calls for it.

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"to catch someone’s eye and know what they were thinking. to be in a room full of people and know that that person was yours. to not just enjoy someone, but enjoy the person she was with them."

    Having already experienced the town of Graves Glen, I was excited to head back and see what new trouble awaited our crew of witches. In ‘The Kiss Curse’, we have the fun angle of competing stores, and my favorite enemies-to-lovers, when a familiar face returns to town and sets up shop across the street from Gwyn’s.

    Gwyn, often described as a ‘tornado disguised as a beautiful woman’, is perfectly happy with her life, being with her mother and cousin, running her touristy witchcraft shop “Something Wicked”, and beginning to mentor to a group of three “Baby Witches” who want to learn more than what their school will teach. She’s even ok with her cousin Vivi’s new husband, Rhys, even if she is uneasy about his family.  There is also a lot more responsibility as it’s the Jones family’s magic that now fuels Graves Glen, so the Joneses are now responsible for protecting it. So, as Halloween approaches and business is set to drum up, Gwyn is unprepared for the day that Wells Penhallow returns to Graves Glen, announces that he’s staying permanently, and then opens up a more upscale witchcraft shop right across the street from hers.

    Llewellyn ‘Wells’ Penhallow runs a pub back in Wales. However, with his country pub dying due to the family’s magic leaving, and no real reason to stick around his miserable father Simon, Wells decided he needed a change of scenery and so he decided to join his brother, Rhys in a small town in Georgia. He was determined to carve out a space for himself in what was originally his family’s own town. Even if that meant squeezing Gwyn Jones out.

    Gwyn could deal with all that business stuff, even the fact that she’s attracted to this gorgeous jerk-who’s-maybe-not-a-jerk-after-all. But Morgan, a witch with a mysterious past who Gwyn went to school with, has also just returned to Graves Glen. And at the same time all of this is happening, Gwyn begins to lose her magical powers… Wells is the one she turns to for help.

    I really enjoyed their characters. Gwyn is free-spirited, outspoken, and caring, while Wells is broody, serious, and loyal. He's hard to crack, but once Gwyn does, he's nothing but a soft-hearted simp. Their fiery chemistry mixed with their competitive natures made Gwyn and Wells such a treat to read about. And at one point, what starts out as a bickering match quickly turns into a very unprofessional, yet extremely enjoyable - and very hot - kiss. Of course, Gwyn blames it on the magic. *eye roll* I loved the way they turned to one another when trouble was afoot, despite their professed mutual dislike. All in all, it was the perfect mix of romance and adventure.
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About Me



I blog from time to time about things that inspire me. Lately, I have been getting back into the habit of reading, and my posts reflect that. I'm also always trying to take pretty photos, with varying degrees of success.


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      • In Charm's Way | Lana Harper
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